Critical Observations on ShakespeareG. Hawkins, 1746 - 346 psl. |
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9 psl.
... expreffions , as , I'll be with you in a trice ; Ah , ha , boy , are you there , & c . And this was great enter- tainment to the audience , to see their old enemy fo belabour'd in effigy . In K. Henry V. A & t IV . a boy characterizing ...
... expreffions , as , I'll be with you in a trice ; Ah , ha , boy , are you there , & c . And this was great enter- tainment to the audience , to see their old enemy fo belabour'd in effigy . In K. Henry V. A & t IV . a boy characterizing ...
25 psl.
... expreffion ; fo has Virg . Ecl . VI , 33. Et liquidi fimul ignis . Liquid air , VII , 264. Spencer , B. I. c . 1 . f . 45. Virgil . Georg . I , 404. Liquid light , VII , 362 . and Lucret . V , 282 . The pure marble air , III , 564 ...
... expreffion ; fo has Virg . Ecl . VI , 33. Et liquidi fimul ignis . Liquid air , VII , 264. Spencer , B. I. c . 1 . f . 45. Virgil . Georg . I , 404. Liquid light , VII , 362 . and Lucret . V , 282 . The pure marble air , III , 564 ...
55 psl.
... expreffion in the pfalms , xxii . 15 . thou haft brought me to the duft of death : the duft of death , 3. e . dufty death . I don't doubt but dufty death was E 4 Shake- 1 Book I. And fomewhat before , when the doctor gives Sect . 5 . 55 ...
... expreffion in the pfalms , xxii . 15 . thou haft brought me to the duft of death : the duft of death , 3. e . dufty death . I don't doubt but dufty death was E 4 Shake- 1 Book I. And fomewhat before , when the doctor gives Sect . 5 . 55 ...
57 psl.
... expreffion carries paffion with it , ΠΟΛΥΕΙΠΣΙΟΝ ΑΡΓΟΣ . Which the tranfcriber has alter'd into woλudio " Agf , miftaking the Aeolic digamma for a A. What , What , tho ' the band of heav'n withholds its Sect . 6. on SHAKESPEARE . 57.
... expreffion carries paffion with it , ΠΟΛΥΕΙΠΣΙΟΝ ΑΡΓΟΣ . Which the tranfcriber has alter'd into woλudio " Agf , miftaking the Aeolic digamma for a A. What , What , tho ' the band of heav'n withholds its Sect . 6. on SHAKESPEARE . 57.
67 psl.
... expreffion , without head or tail , like the picture defcribed by 2 Horace , a mixture of incoherent and monstrous parts . Whereas in every poem there fhould be a natural union , as in a well proportion'd human body , where all is ...
... expreffion , without head or tail , like the picture defcribed by 2 Horace , a mixture of incoherent and monstrous parts . Whereas in every poem there fhould be a natural union , as in a well proportion'd human body , where all is ...
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Aeschylus againſt allufion ancient Antony and Cleopatra Ariftophanes beautiful becauſe beſt Brutus called catalectic caufe character Cicero comedy Coriolanus eaſily Engliſh Euripides expreffion faid fame fays fecond feems fenfe fhall fhew fhould firft firſt fome foon fpeaking ftage ftory fubject fuch Greek Hamlet Henry himſelf Homer Horace inftance itſelf Johnſon Julius Caefar king lefs likewife Lycaonia Macbeth manners Meaſure mention'd Milton moft moſt muſt obferved Othello Ovid paffage paffions perfon philofopher Plato play pleaſe Plutarch poem poet poetry prefent racters raiſe reafon ridiculous ſay SECT ſeems Shakeſpeare ſhall Socrates Sophocles ſpeak Spencer ſtage ſtory thee thefe themſelves Theobald theſe things thofe thoſe thou thro tragedy tranflation tranſcriber twas ufes uſed verfes verſe Virgil words Xenophon ἂν γὰρ δὲ εἰ ἐν καὶ μὲν οἱ πρὸς τὰ τε τῇ τὴν τῆς τὸ τοῖς τῷ τῶν ὡς