The House of EmersonUniversity of Nebraska Press, 1982 - 272 psl. |
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47 psl.
... artist , is the law of permutation , which implies a dual principle of concentration on a point and departure from the point , both of these actions serving metamorphosis . At the time when Emerson was beginning to use his journals to ...
... artist , is the law of permutation , which implies a dual principle of concentration on a point and departure from the point , both of these actions serving metamorphosis . At the time when Emerson was beginning to use his journals to ...
52 psl.
... artist , inventor , and scientist rather than the world they seek to define . Writing is seen as a game of combination and re - combination until the artist gets it right , that is , until his figures capture his thought perfectly . The ...
... artist , inventor , and scientist rather than the world they seek to define . Writing is seen as a game of combination and re - combination until the artist gets it right , that is , until his figures capture his thought perfectly . The ...
203 psl.
... artist and his audience is his greatest opportunity . Those of the same turn of mind , but with an eye that falls short of the artist's , will perhaps be ruled by a larger perception ; those who lack facts are offered a guide ( often ...
... artist and his audience is his greatest opportunity . Those of the same turn of mind , but with an eye that falls short of the artist's , will perhaps be ruled by a larger perception ; those who lack facts are offered a guide ( often ...
Turinys
Preface page | 11 |
Acknowledgments page | 19 |
Emersons Epistemology page | 25 |
Autorių teisės | |
Nerodoma skirsnių: 4
Pagrindiniai terminai ir frazės
achievement action American appears argument artist become beginning building chapter Circles concentration conclusion context continual creates critical culture Days described discussion early Emer Emerson entry essay Experience expression fact fate final force hand human ideal images important individual intellect interest invention journals kind language later lecture less literary live machine man's means metamorphosis metaphor method mind mode Nature never noted objects observation once paragraph passage perhaps persona poem poet poetry possible practical present Press problem progression prospects reader reason reference relation reminder representative respect rhetorical scholars seems sense shift soul speaker Sphinx spirit statement structure suggests things thinking Thoreau thought tion transformation true truth turn understand University vision voice Webster writings