Wordsworth in His Major Lyrics: The Art and Psychology of Self-representationUniversity of Missouri Press, 2001 - 180 psl. |
Knygos viduje
Rezultatai 1–5 iš 36
8 psl.
... utterance that reflects the poet's art and psychology of self- representation . It requires that greater attention be given to the poetics and psychology of appearing , being , and becoming in a text than to the biographical or ...
... utterance that reflects the poet's art and psychology of self- representation . It requires that greater attention be given to the poetics and psychology of appearing , being , and becoming in a text than to the biographical or ...
9 psl.
... utterance will lead to a climactic moment of recognition or new awareness, a splitting of the self between prc- and postconsciousness of Lucy's mortality, and the staging of the recognition or new awareness as a turning point in his ...
... utterance will lead to a climactic moment of recognition or new awareness, a splitting of the self between prc- and postconsciousness of Lucy's mortality, and the staging of the recognition or new awareness as a turning point in his ...
10 psl.
... utterance , the deliberateness with which he employs dramatic strategies , and the persistent concern he shows with self- transformation and self - realization require a way of defining and con- ceptualizing his subjectivity that will ...
... utterance , the deliberateness with which he employs dramatic strategies , and the persistent concern he shows with self- transformation and self - realization require a way of defining and con- ceptualizing his subjectivity that will ...
12 psl.
... utterance , but the dramatic strategies that are employed have yet to be identified , their psychological functions analyzed , and their aesthetic effects recognized . More important , the self - dramatizing character of the " I " of ...
... utterance , but the dramatic strategies that are employed have yet to be identified , their psychological functions analyzed , and their aesthetic effects recognized . More important , the self - dramatizing character of the " I " of ...
13 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Turinys
Transitional Self | 15 |
The Dramatics of SelfRepresentation in Tintern | 47 |
Resolution | 77 |
Public Performance Subjective | 103 |
The Poet in His Letters | 130 |
The Prelude as a Major Lyric | 152 |
Works Cited | 165 |
Kiti leidimai - Peržiūrėti viską
Wordsworth in His Major Lyrics– The Art and Psychology of Self-representation Leon Waldoff Peržiūra negalima - 2001 |
Pagrindiniai terminai ir frazės
achieved act of self-representation anxiety apostrophe appears autobiographical awareness Beaumont character climactic Coleridge Coleridge's conception consciousness critical death dejection Dorothy Wordsworth dramatic earlier Elegiac Stanzas emphasizes encounter Ernest de Selincourt Essays expressivist father feelings Fenwick Notes fictional Freud human ideal identifies imagination important Intimations Ode Isabella Fenwick John John Keats Keats language Leech-gatherer letters lines lyric speaker Lyrical Ballads M. H. Abrams major lyrics memory mind moments mood Mount Snowdon narration narrative Nature notion person phrase poem poet speaking poet's poetic Prelude presence Prose psychological questions reading recognition reenactment relationship repetition representation represents Resolution and Independence Romantic lyric Romantic poetry Romanticism says scene self-dramatizing self-transformation sense of loss soul speaker of Tintern speaker's thoughts speaker's utterance splitting strategies structure subjectivity sublime suggest things Tintern Abbey tradition transformation transitional traumatic understanding University Press verse paragraph voice William Wordsworth words Wordsworth's poetry Wye valley