Wordsworth in His Major Lyrics: The Art and Psychology of Self-representationUniversity of Missouri Press, 2001 - 180 psl. |
Knygos viduje
Rezultatai 1–5 iš 34
7 psl.
... Narrative Experiments ; the philosophically contextualized " I " given to experiences of visionary solipsism in Charles J. Rzepka's The Self as Mind : Vision and Identity in Wordsworth , Coleridge , and Keats ; the historically shaped ...
... Narrative Experiments ; the philosophically contextualized " I " given to experiences of visionary solipsism in Charles J. Rzepka's The Self as Mind : Vision and Identity in Wordsworth , Coleridge , and Keats ; the historically shaped ...
9 psl.
... narrative structure ensuring that the lyrical utterance will lead to a climactic moment of recognition or new awareness, a splitting of the self between prc- and postconsciousness of Lucy's mortality, and the staging of the recognition ...
... narrative structure ensuring that the lyrical utterance will lead to a climactic moment of recognition or new awareness, a splitting of the self between prc- and postconsciousness of Lucy's mortality, and the staging of the recognition ...
10 psl.
... narrative similar to " Michael " rather than as a longer lyric , its two most important features — the prominence of the first - person speaker , with extended self - reflections that are characteristic of the speakers of the other ...
... narrative similar to " Michael " rather than as a longer lyric , its two most important features — the prominence of the first - person speaker , with extended self - reflections that are characteristic of the speakers of the other ...
12 psl.
... Narrative Experiments ( 1984 ) , and Stuart Curran in Poetic Form and British Romanticism ( 1986 ) , have discussed some of the dramatic features of one or more of the major lyrics . Yet it remains a fact that the dramatic nature of ...
... Narrative Experiments ( 1984 ) , and Stuart Curran in Poetic Form and British Romanticism ( 1986 ) , have discussed some of the dramatic features of one or more of the major lyrics . Yet it remains a fact that the dramatic nature of ...
25 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Turinys
Transitional Self | 15 |
The Dramatics of SelfRepresentation in Tintern | 47 |
Resolution | 77 |
Public Performance Subjective | 103 |
The Poet in His Letters | 130 |
The Prelude as a Major Lyric | 152 |
Works Cited | 165 |
Kiti leidimai - Peržiūrėti viską
Wordsworth in His Major Lyrics– The Art and Psychology of Self-representation Leon Waldoff Peržiūra negalima - 2001 |
Pagrindiniai terminai ir frazės
achieved act of self-representation anxiety apostrophe appears autobiographical awareness Beaumont character climactic Coleridge Coleridge's conception consciousness critical death dejection Dorothy Wordsworth dramatic earlier Elegiac Stanzas emphasizes encounter Ernest de Selincourt Essays expressivist father feelings Fenwick Notes fictional Freud human ideal identifies imagination important Intimations Ode Isabella Fenwick John John Keats Keats language Leech-gatherer letters lines lyric speaker Lyrical Ballads M. H. Abrams major lyrics memory mind moments mood Mount Snowdon narration narrative Nature notion person phrase poem poet speaking poet's poetic Prelude presence Prose psychological questions reading recognition reenactment relationship repetition representation represents Resolution and Independence Romantic lyric Romantic poetry Romanticism says scene self-dramatizing self-transformation sense of loss soul speaker of Tintern speaker's thoughts speaker's utterance splitting strategies structure subjectivity sublime suggest things Tintern Abbey tradition transformation transitional traumatic understanding University Press verse paragraph voice William Wordsworth words Wordsworth's poetry Wye valley