Wordsworth in His Major Lyrics: The Art and Psychology of Self-representationUniversity of Missouri Press, 2001 - 180 psl. |
Knygos viduje
Rezultatai 1–5 iš 28
9 psl.
... employ these and other self-dramatizing strategies to achieve their poignant effects ("oh, / The difference to me!"), they remain limited in scope and do not engage in the more complex act of self-representation and in-depth exploration ...
... employ these and other self-dramatizing strategies to achieve their poignant effects ("oh, / The difference to me!"), they remain limited in scope and do not engage in the more complex act of self-representation and in-depth exploration ...
10 psl.
... employs dramatic strategies , and the persistent concern he shows with self- transformation and self - realization require a way of defining and con- ceptualizing his subjectivity that will give greater recognition to the psychological ...
... employs dramatic strategies , and the persistent concern he shows with self- transformation and self - realization require a way of defining and con- ceptualizing his subjectivity that will give greater recognition to the psychological ...
12 psl.
... employs Freud's concept of the transference and Winnicott's of the transitional object to establish a model for understanding the performative nature of the lyrical utterance and the transitional self of Wordsworth represented by the ...
... employs Freud's concept of the transference and Winnicott's of the transitional object to establish a model for understanding the performative nature of the lyrical utterance and the transitional self of Wordsworth represented by the ...
13 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
15 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Turinys
Transitional Self | 15 |
The Dramatics of SelfRepresentation in Tintern | 47 |
Resolution | 77 |
Public Performance Subjective | 103 |
The Poet in His Letters | 130 |
The Prelude as a Major Lyric | 152 |
Works Cited | 165 |
Kiti leidimai - Peržiūrėti viską
Wordsworth in His Major Lyrics– The Art and Psychology of Self-representation Leon Waldoff Peržiūra negalima - 2001 |
Pagrindiniai terminai ir frazės
achieved act of self-representation anxiety apostrophe appears autobiographical awareness Beaumont character climactic Coleridge Coleridge's conception consciousness critical death dejection Dorothy Wordsworth dramatic earlier Elegiac Stanzas emphasizes encounter Ernest de Selincourt Essays expressivist father feelings Fenwick Notes fictional Freud human ideal identifies imagination important Intimations Ode Isabella Fenwick John John Keats Keats language Leech-gatherer letters lines lyric speaker Lyrical Ballads M. H. Abrams major lyrics memory mind moments mood Mount Snowdon narration narrative Nature notion person phrase poem poet speaking poet's poetic Prelude presence Prose psychological questions reading recognition reenactment relationship repetition representation represents Resolution and Independence Romantic lyric Romantic poetry Romanticism says scene self-dramatizing self-transformation sense of loss soul speaker of Tintern speaker's thoughts speaker's utterance splitting strategies structure subjectivity sublime suggest things Tintern Abbey tradition transformation transitional traumatic understanding University Press verse paragraph voice William Wordsworth words Wordsworth's poetry Wye valley