Wordsworth in His Major Lyrics: The Art and Psychology of Self-representationUniversity of Missouri Press, 2001 - 180 psl. |
Knygos viduje
Rezultatai 1–5 iš 61
9 psl.
... form of personal authority in the wake of the destabilizing effect of eighteenth-century anxieties about the 'soul' and the 'self ' ” (29–30). 15. Robert Langbaum, The Poetry of Experience: The Dramatic Monologue Introduction 9.
... form of personal authority in the wake of the destabilizing effect of eighteenth-century anxieties about the 'soul' and the 'self ' ” (29–30). 15. Robert Langbaum, The Poetry of Experience: The Dramatic Monologue Introduction 9.
10 psl.
... dramatic strategies ( apostrophe , the staged return or encounter , dia- logue , the abrupt transition , the reenacted moment of new awareness , self - quotation ) but also provide an explanation of his motives for the performance . The ...
... dramatic strategies ( apostrophe , the staged return or encounter , dia- logue , the abrupt transition , the reenacted moment of new awareness , self - quotation ) but also provide an explanation of his motives for the performance . The ...
11 psl.
... dramatic lyrics, as well as the fact that many others of Wordsworth's lyrics are dramatic in fundamental ways, has not gone unnoticed. Forty years ago Robert Langbaum, in his important studyThe Poetry of Experience: The Dramatic ...
... dramatic lyrics, as well as the fact that many others of Wordsworth's lyrics are dramatic in fundamental ways, has not gone unnoticed. Forty years ago Robert Langbaum, in his important studyThe Poetry of Experience: The Dramatic ...
12 psl.
... dramatic form , " that a speaker such as the " loquacious narrator " in " The Thorn " ( as Wordsworth referred to him in the Advertisement to Lyrical Ballads ) is a dramatic character , and that this poem , like other lyrical ballads ...
... dramatic form , " that a speaker such as the " loquacious narrator " in " The Thorn " ( as Wordsworth referred to him in the Advertisement to Lyrical Ballads ) is a dramatic character , and that this poem , like other lyrical ballads ...
13 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Turinys
Transitional Self | 15 |
The Dramatics of SelfRepresentation in Tintern | 47 |
Resolution | 77 |
Public Performance Subjective | 103 |
The Poet in His Letters | 130 |
The Prelude as a Major Lyric | 152 |
Works Cited | 165 |
Kiti leidimai - Peržiūrėti viską
Wordsworth in His Major Lyrics– The Art and Psychology of Self-representation Leon Waldoff Peržiūra negalima - 2001 |
Pagrindiniai terminai ir frazės
achieved act of self-representation anxiety apostrophe appears autobiographical awareness Beaumont character climactic Coleridge Coleridge's conception consciousness critical death dejection Dorothy Wordsworth dramatic earlier Elegiac Stanzas emphasizes encounter Ernest de Selincourt Essays expressivist father feelings Fenwick Notes fictional Freud human ideal identifies imagination important Intimations Ode Isabella Fenwick John John Keats Keats language Leech-gatherer letters lines lyric speaker Lyrical Ballads M. H. Abrams major lyrics memory mind moments mood Mount Snowdon narration narrative Nature notion person phrase poem poet speaking poet's poetic Prelude presence Prose psychological questions reading recognition reenactment relationship repetition representation represents Resolution and Independence Romantic lyric Romantic poetry Romanticism says scene self-dramatizing self-transformation sense of loss soul speaker of Tintern speaker's thoughts speaker's utterance splitting strategies structure subjectivity sublime suggest things Tintern Abbey tradition transformation transitional traumatic understanding University Press verse paragraph voice William Wordsworth words Wordsworth's poetry Wye valley