Wordsworth in His Major Lyrics: The Art and Psychology of Self-representationUniversity of Missouri Press, 2001 - 180 psl. |
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The Art and Psychology of Self-representation Leon Waldoff. Wordsworth in His Major Lyrics Introduction This book is concerned with a number of critical.
The Art and Psychology of Self-representation Leon Waldoff. Wordsworth in His Major Lyrics Introduction This book is concerned with a number of critical.
1 psl.
... critical questions about the identityandroleoftheIorspeakerinWordsworth'smajorlyrics.Ifthe poems are ... critical literature that has grown up around the poetry we still have no critical book focused primarily on them and the larger ...
... critical questions about the identityandroleoftheIorspeakerinWordsworth'smajorlyrics.Ifthe poems are ... critical literature that has grown up around the poetry we still have no critical book focused primarily on them and the larger ...
2 psl.
... speaker have been set forth in the critical literature in psychoanalytic, New Historicist, intertextual, psychobiographical, feminist, and other terms. What the existence of so many different versions indicates, more than ...
... speaker have been set forth in the critical literature in psychoanalytic, New Historicist, intertextual, psychobiographical, feminist, and other terms. What the existence of so many different versions indicates, more than ...
3 psl.
... cause and effect, is another, more genuine self. This self is made up by the work (Fiction and Repetition: Seven English Novels, 1112). 5. Jerome McGann, The Romantic Ideology: A Critical Investigation, 91, Introduction 3.
... cause and effect, is another, more genuine self. This self is made up by the work (Fiction and Repetition: Seven English Novels, 1112). 5. Jerome McGann, The Romantic Ideology: A Critical Investigation, 91, Introduction 3.
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... critical embarrassment. In effect, the lyric speaker is cut off from the self of the poet and critical thought becomes disengagedfromtheissuesthatariseoutofthatrelationship.Notentirely unlike the old New Criticism, deconstruction ...
... critical embarrassment. In effect, the lyric speaker is cut off from the self of the poet and critical thought becomes disengagedfromtheissuesthatariseoutofthatrelationship.Notentirely unlike the old New Criticism, deconstruction ...
Turinys
Transitional Self | 15 |
The Dramatics of SelfRepresentation in Tintern | 47 |
Resolution | 77 |
Public Performance Subjective | 103 |
The Poet in His Letters | 130 |
The Prelude as a Major Lyric | 152 |
165 | |
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Wordsworth in His Major Lyrics The Art and Psychology of Self-representation Leon Waldoff Peržiūra negalima - 2001 |
Pagrindiniai terminai ir frazės
achieved anxiety apostrophe appears attempt attention autobiographical awareness become beginning calls character claim Coleridge concern consciousness context continues course critical death defined discussion dramatic earlier early effect effort Elegiac emphasizes employs encounter event experience expression fact father fear feelings figure first function heart human idea ideal imagination important John language later Leech-gatherer letters lines loss major lyrics memory mind moment moments mood narrative Nature never notion object observed particularly passage past person phrase poem poet poets poetic poetry Prelude presence psychological questions reading recognition reference reflections relation relationship repetition representation represents Resolution and Independence Romantic says scene seems self-dramatizing self-representation self-transformation sense soul speaker speaking spirit stage stanza strategies structure subjectivity sublime suggest takes things thought Tintern Abbey transformation transitional turning understanding utterance verse voice Wordsworth writing