Wordsworth in His Major Lyrics: The Art and Psychology of Self-representationUniversity of Missouri Press, 2001 - 180 psl. |
Knygos viduje
Rezultatai 1–5 iš 52
1 psl.
... character of the speaker. In their introduction to the Romantic period in The Norton Anthology of English Literature, the editors write that "in the Romantic lyric the 'I' often is not a conventionally typical lyric speaker, such as the ...
... character of the speaker. In their introduction to the Romantic period in The Norton Anthology of English Literature, the editors write that "in the Romantic lyric the 'I' often is not a conventionally typical lyric speaker, such as the ...
2 psl.
... character of the lyric speaker, they do not equate him with the poet; his experiences and states of mind "accord closely" but not exactly with those of the poet. As careful as this answer is, however, it is not intended to address some ...
... character of the lyric speaker, they do not equate him with the poet; his experiences and states of mind "accord closely" but not exactly with those of the poet. As careful as this answer is, however, it is not intended to address some ...
9 psl.
... character of each speaker's utterance calls for a critical approach that will not only focus. 13. In Revolutionary “I,” Nichols also uses the term self-dramatizing. His use is similar in its concern with Wordsworth's “dramatized ...
... character of each speaker's utterance calls for a critical approach that will not only focus. 13. In Revolutionary “I,” Nichols also uses the term self-dramatizing. His use is similar in its concern with Wordsworth's “dramatized ...
10 psl.
... character of the speaker distinguish it from narrative poems such as " Michael " and " The Ruined Cottage " and mark it , for my purposes , as 14. For example , Geoffrey Hartman , in a chapter entitled " 1801-1807 : The Major Lyrics ...
... character of the speaker distinguish it from narrative poems such as " Michael " and " The Ruined Cottage " and mark it , for my purposes , as 14. For example , Geoffrey Hartman , in a chapter entitled " 1801-1807 : The Major Lyrics ...
12 psl.
... character , and that this poem , like other lyrical ballads , " is , in effect , a dramatic monologue . " 17 Other critics , among them Paul Sheats in The Making of Wordsworth's Poetry , 1785-1798 ( 1973 ) , Don Bialostosky in Making ...
... character , and that this poem , like other lyrical ballads , " is , in effect , a dramatic monologue . " 17 Other critics , among them Paul Sheats in The Making of Wordsworth's Poetry , 1785-1798 ( 1973 ) , Don Bialostosky in Making ...
Turinys
Transitional Self | 15 |
The Dramatics of SelfRepresentation in Tintern | 47 |
Resolution | 77 |
Public Performance Subjective | 103 |
The Poet in His Letters | 130 |
The Prelude as a Major Lyric | 152 |
Works Cited | 165 |
Kiti leidimai - Peržiūrėti viską
Wordsworth in His Major Lyrics– The Art and Psychology of Self-representation Leon Waldoff Peržiūra negalima - 2001 |
Pagrindiniai terminai ir frazės
achieved act of self-representation anxiety apostrophe appears autobiographical awareness Beaumont character climactic Coleridge Coleridge's conception consciousness critical death dejection Dorothy Wordsworth dramatic earlier Elegiac Stanzas emphasizes encounter Ernest de Selincourt Essays expressivist father feelings Fenwick Notes fictional Freud human ideal identifies imagination important Intimations Ode Isabella Fenwick John John Keats Keats language Leech-gatherer letters lines lyric speaker Lyrical Ballads M. H. Abrams major lyrics memory mind moments mood Mount Snowdon narration narrative Nature notion person phrase poem poet speaking poet's poetic Prelude presence Prose psychological questions reading recognition reenactment relationship repetition representation represents Resolution and Independence Romantic lyric Romantic poetry Romanticism says scene self-dramatizing self-transformation sense of loss soul speaker of Tintern speaker's thoughts speaker's utterance splitting strategies structure subjectivity sublime suggest things Tintern Abbey tradition transformation transitional traumatic understanding University Press verse paragraph voice William Wordsworth words Wordsworth's poetry Wye valley