Wordsworth in His Major Lyrics: The Art and Psychology of Self-representationUniversity of Missouri Press, 2001 - 180 psl. |
Knygos viduje
Rezultatai 1–5 iš 44
4 psl.
... becomes a term of critical embarrassment. In effect, the lyric speaker is cut off from the self of the poet and critical thought becomes disengaged from the issues that arise out of that relationship. Not entirely unlike the old New ...
... becomes a term of critical embarrassment. In effect, the lyric speaker is cut off from the self of the poet and critical thought becomes disengaged from the issues that arise out of that relationship. Not entirely unlike the old New ...
6 psl.
... Becoming Wordsworthian : A Performative Aesthetics , 17 . II . Among the relevant critical approaches that might be mentioned , I would include the following : the lyrical " I " as " the poet in a poet " who responds to his precursors ...
... Becoming Wordsworthian : A Performative Aesthetics , 17 . II . Among the relevant critical approaches that might be mentioned , I would include the following : the lyrical " I " as " the poet in a poet " who responds to his precursors ...
8 psl.
... becoming in a text than to the biographical or historical or other aspects of Wordsworth's life and experience revealed in the text . In an important new biography of the young poet , The Hidden Wordsworth : Poet , Lover , Rebel , Spy ...
... becoming in a text than to the biographical or historical or other aspects of Wordsworth's life and experience revealed in the text . In an important new biography of the young poet , The Hidden Wordsworth : Poet , Lover , Rebel , Spy ...
19 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
26 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Turinys
Transitional Self | 15 |
The Dramatics of SelfRepresentation in Tintern | 47 |
Resolution | 77 |
Public Performance Subjective | 103 |
The Poet in His Letters | 130 |
The Prelude as a Major Lyric | 152 |
Works Cited | 165 |
Kiti leidimai - Peržiūrėti viską
Wordsworth in His Major Lyrics– The Art and Psychology of Self-representation Leon Waldoff Peržiūra negalima - 2001 |
Pagrindiniai terminai ir frazės
achieved act of self-representation anxiety apostrophe appears autobiographical awareness Beaumont character climactic Coleridge Coleridge's conception consciousness critical death dejection Dorothy Wordsworth dramatic earlier Elegiac Stanzas emphasizes encounter Ernest de Selincourt Essays expressivist father feelings Fenwick Notes fictional Freud human ideal identifies imagination important Intimations Ode Isabella Fenwick John John Keats Keats language Leech-gatherer letters lines lyric speaker Lyrical Ballads M. H. Abrams major lyrics memory mind moments mood Mount Snowdon narration narrative Nature notion person phrase poem poet speaking poet's poetic Prelude presence Prose psychological questions reading recognition reenactment relationship repetition representation represents Resolution and Independence Romantic lyric Romantic poetry Romanticism says scene self-dramatizing self-transformation sense of loss soul speaker of Tintern speaker's thoughts speaker's utterance splitting strategies structure subjectivity sublime suggest things Tintern Abbey tradition transformation transitional traumatic understanding University Press verse paragraph voice William Wordsworth words Wordsworth's poetry Wye valley