The Masks of Anthony and CleopatraUniversity of Delaware Press, 2006 - 605 psl. A sensitive and penetrating analysis, scene by scene, act by act, of this most complex and ambiguous of Shakespeare's great plays, seen through the eyes of both the literary critic and the student of theatrical history. As in his earlier Masks books, Marvin Rosenberg has gathered impressions from performance reviews from all over the world, comments by actors and directors, and his own personal experience of the play in rehearsal and staging, and has combined these insights with extensive reading of critical essays and consideration of the thoughts and opinions of his literary colleagues to form an illuminating interpretive study. The book also conveys the author's wholehearted enthusiasm for the play and his profound appreciation of Shakespeare's poetic and dramatic genius. The book, left unfinished at Dr Rosenberg's death in 2003, was edited and completed by his wife, Mary. |
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Rezultatai 1–5 iš 90
7 psl.
... Scene i 41 Anthony 70 Cleopatra 80 Act I , Scene ii 86 Act I , Scene iii 104 Octavius 118 Act I , Scene iv 123 Act I , Scene v 133 Act Two Act II , Scene i 145 Act II , Scene ii 151 Act II , Scene iii 174 Act II , Scene iv 180 Act II , ...
... Scene i 41 Anthony 70 Cleopatra 80 Act I , Scene ii 86 Act I , Scene iii 104 Octavius 118 Act I , Scene iv 123 Act I , Scene v 133 Act Two Act II , Scene i 145 Act II , Scene ii 151 Act II , Scene iii 174 Act II , Scene iv 180 Act II , ...
8 psl.
Marvin Rosenberg, Mary Rosenberg. Act III , Scene xi 278 Act III , Scene xii 288 Act III , Scene xiii 293 Act Four Act IV , Scene i 317 Act IV , Scene ii 320 Act IV , Scene iii Act IV , Scene iv Act IV , Scene v Act IV , Scene vi Act IV , ...
Marvin Rosenberg, Mary Rosenberg. Act III , Scene xi 278 Act III , Scene xii 288 Act III , Scene xiii 293 Act Four Act IV , Scene i 317 Act IV , Scene ii 320 Act IV , Scene iii Act IV , Scene iv Act IV , Scene v Act IV , Scene vi Act IV , ...
9 psl.
... scene 2 , alas , is not pure Rosenberg . At the end of act 5 , scene 1 , I was reminded of the words of Toscanini , conducting the world premiere of Puccini's unfinished opera Turandot , two years after the composer's death , when he ...
... scene 2 , alas , is not pure Rosenberg . At the end of act 5 , scene 1 , I was reminded of the words of Toscanini , conducting the world premiere of Puccini's unfinished opera Turandot , two years after the composer's death , when he ...
48 psl.
... scene he is building . In language and stage direction , Shakespeare stipulates at first a parade to estab- lish immediately at its head an entrancing Queen , ruling a gleeful , largely feminine , world of Other : a strange , distant ...
... scene he is building . In language and stage direction , Shakespeare stipulates at first a parade to estab- lish immediately at its head an entrancing Queen , ruling a gleeful , largely feminine , world of Other : a strange , distant ...
54 psl.
... scene , and in later scenes , by a single attendant waving a large , elegant fan . The Romans may sometimes casually fan their hands back and forth in front of their faces for air . In Peter Zadek's modern Berliner version ( 1994 ) ...
... scene , and in later scenes , by a single attendant waving a large , elegant fan . The Romans may sometimes casually fan their hands back and forth in front of their faces for air . In Peter Zadek's modern Berliner version ( 1994 ) ...
Turinys
41 | |
70 | |
80 | |
86 | |
Act I Scene iii | 104 |
Octavius | 118 |
Act I Scene iv | 123 |
Act I Scene v | 133 |
Act III Scene xiii | 293 |
Act Four | 315 |
Act IV Scene i | 317 |
Act IV Scene ii | 320 |
Act IV Scene iii | 326 |
Act IV Scene iv | 329 |
Act IV Scene v | 335 |
Act IV Scene vi | 337 |
Act Two | 143 |
Act II Scene i | 145 |
Act II Scene ii | 151 |
Act II Scene iii | 174 |
Act II Scene iv | 180 |
Act II Scene v | 181 |
Act II Scene vi | 197 |
Act II Scene vii | 207 |
Act Three | 225 |
Act III Scene i | 227 |
Act III Scene ii | 231 |
Act III Scene iii | 239 |
Act III Scene iv | 246 |
Act III Scene v | 251 |
Act III Scene vi | 254 |
Act III Scene vii | 262 |
Act III Scenes viii ix and x | 272 |
Act III Scene xi | 278 |
Act III Scene xii | 288 |
Act IV Scene vii | 341 |
Act IV Scene viii | 344 |
Act IV Scene ix | 349 |
Act IV Scenes x xi xii and xiii | 352 |
Act IV Scene xiv | 362 |
Act IV Scene xv | 379 |
Act Five | 393 |
Act V Scene i | 395 |
Act V Scene ii | 403 |
Is Anthony and Cleopatra a Tragedy? | 473 |
Epilogue | 480 |
A Note on the Historical Cleopatra 69 BC30 BC | 482 |
Critical and Theatrical Bibliographies | 489 |
Critical Bibliography | 491 |
Theatrical Bibliography | 532 |
Tributes from Marvin Rosenbergs Colleagues and Friends | 595 |
Index | 597 |
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Pagrindiniai terminai ir frazės
Actium actor Agrippa Alexas Anthony Anthony's Antony and Cleopatra April April 29 arms audience August August 16 battle Bevington Birmingham Mail Birmingham Post body Caesar characters Charmian Cleo Clown Daily Telegraph death director Dolabella edited Egypt Egyptian emotion Enobarbus Enobarbus's Enter Eros Exeunt exit fear feel final Folio Fulvia gestures give hand hear heart imagining reader Iras Julius Caesar July kiss language laugh Lepidus London look lovers Maecenas Mardian Marvin Menas Messenger Nay critic noble November Octavius October Othello Parthia passion patra Philo play Plutarch polyphony Pompey Pompey's Proculeius Queen Reviews Roman Rome Scarus scene seems sense sexual Shake Shakespeare wanted share soldiers sometimes Soothsayer sound speak speare speech stage Stratford subtext suggests surely sword tell Theatre thee Thidias thou thought touch Tragedy triumph University Press Ventidius voice woman women words York
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