Quoting Shakespeare: Form and Culture in Early Modern DramaUniversity of Nebraska Press, 2000 - 268 psl. William Shakespeare is perhaps the most frequently quoted author of the English-speaking world. His plays, in turn, "quote" a wide variety of sources, from books and ballads to persons and events. In this dynamic study of Shakespeare's plays, Douglas Bruster demonstrates that such borrowing can illuminate the world in which Shakespeare and his contemporary playwrights lived and worked, while also shedding light on later cultures that quote his plays. In contrast to the New Historicism's sometimes arbitrary linkage of literary works with elements drawn from the surrounding culture, Quoting Shakespeare focuses on the resources that writers used in making their works. Bruster shows how this borrowing can give us valuable insight into the cultural, historical, and political positions of writers and their works. Because Shakespeare's plays have often been quoted by other writers, this study also examines what subsequent uses of Shakespeare's plays reveal about the writers and cultures that use them. In this way, Quoting Shakespeare insists that literary production and reception are both integral to a historical approach to literature. |
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91 psl.
... genre , to the general horizon of expectations that playwrights work within , and even to the larger arrangement of cultural forces that “ writes " through authors . This last element alludes to Stephen Greenblatt's conception of the ...
... genre , to the general horizon of expectations that playwrights work within , and even to the larger arrangement of cultural forces that “ writes " through authors . This last element alludes to Stephen Greenblatt's conception of the ...
92 psl.
... genre of a play can be changed by altering its ending , can genre really be related so strongly to the ethical issues that the play addresses ? With its replacea- ble ending , for instance , the Lear story - whose stage history ...
... genre of a play can be changed by altering its ending , can genre really be related so strongly to the ethical issues that the play addresses ? With its replacea- ble ending , for instance , the Lear story - whose stage history ...
113 psl.
... genre . Rather than de- ploying the poeta trope in opposition to generic classification , however , we may read it alongside character and genre for a deeper understanding of Shakespeare's dramaturgy and of the nature of his quotation ...
... genre . Rather than de- ploying the poeta trope in opposition to generic classification , however , we may read it alongside character and genre for a deeper understanding of Shakespeare's dramaturgy and of the nature of his quotation ...
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actors agency American argued Ariel audience authors ballads borrowing bricolage Caliban called chapter characters Christopher Marlowe Comedy contemporaries criticism cultural described Dido discourse dramatists early modern drama early modern England early modern plays Elizabethan Elizabethan era emphasis English Renaissance essay example F. O. Matthiessen figures Fletcher gender genre Greenblatt Hamlet Historicism historicist instance intertextuality invitation Jacobean Jailer's Daughter Jonson Kemp King Lear language literary literature London lyric Marlowe material metaphor Midsummer Night's Dream morris dance Noble Kinsmen Passionate Shepherd pattern perhaps phrase Plautine Plautus play's playhouse playwrights plot poet poeta poetic poetry political positions Prospero psalms Puttenham quotation quote Raymond Chandler readers reading relation Richard role scene seems Shake Shakespeare Shakespeare's plays Sidney sing social songs source study speaks speare speare's speech stage story T. S. Eliot Tempest texts theater theatrical thee Thomas thou tion tradition tragedy words writers York