Spires of Form: A Study of Emerson's Aesthetic TheoryRussell & Russell, 1951 - 276 psl. |
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Rezultatai 1–3 iš 51
68 psl.
... indicating that the artist may occasionally tell an extrava- gant untruth without going beyond the lines indicated by Nature . For the most part Emerson's discussion of form shows little recognition of architectonic sense , as " one ...
... indicating that the artist may occasionally tell an extrava- gant untruth without going beyond the lines indicated by Nature . For the most part Emerson's discussion of form shows little recognition of architectonic sense , as " one ...
106 psl.
... indicate that fermenting power within an age which in- duces literary creation . In the essay on " Eloquence " he com- pares the power emerging in oratory to the geologic force which causes mountains : " As the Andes and Alleghenies in ...
... indicate that fermenting power within an age which in- duces literary creation . In the essay on " Eloquence " he com- pares the power emerging in oratory to the geologic force which causes mountains : " As the Andes and Alleghenies in ...
204 psl.
... indicates , provide the mind with a new power which it carries over into other experience : It is the property of the human ... indicated by William James , who was not a mystic but who took great interest in the psychology of mystical ...
... indicates , provide the mind with a new power which it carries over into other experience : It is the property of the human ... indicated by William James , who was not a mystic but who took great interest in the psychology of mystical ...
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
The Work of Art | 63 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic experience Alcott American appreciation architecture art and literature audience Baphometic beauty Boston Coleridge creation creative artist creative mind creative process Croce delight derived Dial Divine Divinity School Address dreams Egyptian element Elgin Marbles eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson shows Emerson speaks Emerson's aesthetic Emerson's concept Emerson's critical Emerson's statements Emerson's theory Emersonian emphasis English enjoyment enjoys essay on Art expression feeling flowing genius Goethe Greenough Hegel Henry Thoreau Horatio Greenough human ideal imagination indicated inspiration intellect interpretation intuition journal lecture light literary lustrum man's marble Margaret Fuller material memory Michelangelo modern moral mystical nature's Neo-Platonic observer observer's organic form Over-soul painting perception philosophical Plato Plotinian Plotinus poem poet poet's poetic poetry principle Proclus reading recognizes relation sculpture sense impression Shakespeare soul spirit sublime Swedenborg symbol Thoreau thought tion ture verse whole writers