Spires of Form: A Study of Emerson's Aesthetic TheoryRussell & Russell, 1951 - 276 psl. |
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
The Work of Art | 63 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic experience Alcott American appreciation architecture art and literature audience Baphometic beauty Boston Coleridge creation creative artist creative mind creative process Croce delight derived Dial Divine Divinity School Address dreams Egyptian element Elgin Marbles eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson shows Emerson speaks Emerson's aesthetic Emerson's concept Emerson's critical Emerson's statements Emerson's theory Emersonian emphasis English enjoyment enjoys essay on Art expression feeling flowing genius Goethe Greenough Hegel Henry Thoreau Horatio Greenough human ideal imagination indicated inspiration intellect interpretation intuition journal lecture light literary lustrum man's marble Margaret Fuller material memory Michelangelo modern moral mystical nature's Neo-Platonic observer observer's organic form Over-soul painting perception philosophical Plato Plotinian Plotinus poem poet poet's poetic poetry principle Proclus reading recognizes relation sculpture sense impression Shakespeare soul spirit sublime Swedenborg symbol Thoreau thought tion ture verse whole writers