Coming of Age in ShakespeareMethuen, 1981 - 248 psl. **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
Knygos viduje
Rezultatai 1–3 iš 42
74 psl.
... kind of nothing , titleless ' . Characteristi- cally , and with his usual charming obtuseness , the old counsellor Menenius when he goes to see him pleads from the other extreme , claiming exactly the kind of name Marcius has forbid ...
... kind of nothing , titleless ' . Characteristi- cally , and with his usual charming obtuseness , the old counsellor Menenius when he goes to see him pleads from the other extreme , claiming exactly the kind of name Marcius has forbid ...
84 psl.
... kind of eloquence in ' kill , kill , kill , kill , kill , kill ! ' ( Iv . vi . 187 ) , ' Now , now , now , now ' ( 172 ) , ' Howl , howl , howl , howl ! ' ( v . iii . 259 ) or ' Never , never , never , never , never ' ( 310 ) , but it ...
... kind of eloquence in ' kill , kill , kill , kill , kill , kill ! ' ( Iv . vi . 187 ) , ' Now , now , now , now ' ( 172 ) , ' Howl , howl , howl , howl ! ' ( v . iii . 259 ) or ' Never , never , never , never , never ' ( 310 ) , but it ...
223 psl.
... kind of veiling replaces another , as the desire to sequester oneself away from the world is replaced by an accommodation to the needs and vicissitudes of that world . In the next scene we will hear Isabella's public appeal to the duke ...
... kind of veiling replaces another , as the desire to sequester oneself away from the world is replaced by an accommodation to the needs and vicissitudes of that world . In the next scene we will hear Isabella's public appeal to the duke ...
Turinys
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Autorių teisės | |
Nerodoma skirsnių: 4
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young