The Quarterly Review, 204 tomasWilliam Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray (IV), Rowland Edmund Prothero (Baron Ernle) John Murray, 1906 |
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administration æsthetic Africa Antony Antony and Cleopatra arc-light artist authority Bank Bank of England Belgians British Cæsar called century character Church Cleopatra colonies Congo Free connexion convention criticism doubt E. D. Morel effect emotional Empire England existence experience fact Fanny Burney feeling Finsen force France genius gold Gomperz Government Greek Hazlitt human Hunt ideas imitation Imperial increase industry influence interest Julius Cæsar King labour Lamb Lamb's less letters Liberal light literary London Lord Granville Lord Holland Lord Salisbury matter ment Millais mind ministers Miss Burney modern movement Muhammadan nature never organisation painted party Pascal philosophy picture Plato poet poetry political Poor Law Pre-Raphaelite principles Professor question rays reform regard religion result rhythm Roman Rossetti Russian seems Shakespeare social spirit theory things thought tion truth Unionist Whigs whole
Populiarios ištraukos
324 psl. - Thus vainly thinking that she thinks me young, Although she knows my days are past the best, Simply I credit her false-speaking tongue: On both sides thus is simple truth suppress'd.
339 psl. - Unarm, Eros ; the long day's task is done, And we must sleep.
343 psl. - If they had swallow'd poison, 'twould appear By external swelling : but she looks like sleep, As she would catch another Antony In her strong toil of grace.
528 psl. - La conduite de Dieu, qui dispose toutes choses avec douceur, est de mettre la religion dans l'esprit par les raisons, et dans le cœur par la grâce. Mais de la vouloir mettre dans l'esprit et dans le cœur par la force et par les menaces, ce n'est pas y mettre la religion, mais la terreur, terrorem potius quam religionem.
334 psl. - Upon a tawny front : his captain's heart, Which in the scuffles of great fights hath burst The buckles on his breast, reneges all temper, And is become the bellows and the fan To cool a gipsy's lust.
172 psl. - ... because a blackamoor in a fit of jealousy kills his innocent white wife : and the odds are that ninetynine out of a hundred would willingly behold the same catastrophe happen to both the heroes, and have thought the rope more due to Othello than to Barnwell. For of the texture of Othello's mind, the inward construction marvellously laid open with all its strengths and weaknesses, its heroic confidences and its human misgivings, its agonies of hate springing from the depths of love...
537 psl. - Le dernier acte est sanglant, quelque belle que soit la comédie en tout le reste. On jette enfin de la terre sur la tête, et en voilà pour jamais.
543 psl. - Unduped of fancy, henceforth man Must labour! — must resign His all too human creeds, and scan Simply the way divine!
323 psl. - Antony and Cleopatra is by far the most wonderful. There is not one in which he has followed history so minutely, and yet there are few in which he impresses the notion of angelic strength so much ; — perhaps none in which he impresses it more stroagly. This is greatly owing to the manner in which the fiery force is sustained throughout, and to the numerous momentary flashes of nature counteracting the historic abstraction.
334 psl. - Let Rome in Tiber melt, and the wide arch Of the rang'd empire fall ! Here is my space. Kingdoms are clay ; our dungy earth alike Feeds beast as man ; the nobleness of life Is to do thus ; when such a mutual pair Embracing, And such a twain can do 't, in which I bind, On pain of punishment, the world to weet We stand up peerless.