K. Henry. What treasure, uncle? Exe. 5 Tennis-balls, my liege. K. Henry. We are glad the Dauphin is so pleasant with us. His prefent, and your pains, we thank you for. • Tennis-balls, my liege.] In the old play of Henry V. already mentioned, this prefent confifts of a gilded tun of tennis-balls and a carpet. STEEVENS. We are glad the Dauphin is so pleasant with us.] Thus ftands the anfwer of K. Henry in the fame old play, My lord, prince Dolphin is very pleasant with me. "But tell him, that instead of balls of leather "We will tofs him balls of brafs and of iron: "Yea, fuch balls as never were tofs'd in France. "The proudest tennis-court in France fhall rue it." And the following paffage is in MICHAEL DRAYTON'S Battle of Agincourt; "I'll fend him balls and rackets if I live, 7 Chace is a term at tennis. JOHNSON. STEEVENS, And therefore, living hence,-] This expreffion has ftrength and energy: he never valued England; and therefore lived bence, i. e. as if abfent from it. But the Oxford Editor alters bence to here. WARBURTON, When When I do roufe me in my throne of France. That fhall have caufe to curfe the Dauphin's fcorn. When thousands weep, more than did laugh at it. Exe. This was a merry meffage. K. Henry. We hope to make the fender blush at it. Therefore, my lords, omit no happy hour That may give furtherance to our expedition : For we have now no thought in us, but France, Save thofe to God, that run before our bufinefs. Therefore, let our proportions for thefe wars Be foon collected, and all things thought upon, For that I have laid by-] To qualify myfelf for this undertaking, I have defcended from my flation, and fludied the arts of life in a lower character. JOHNSON. I The quarto 1608 reads-for this. STEEVENS. his balls to gun-fiones;-] When ordnance was first used, they difcharged balls, not of iron, but of ftone. JOHNSON. That That may, with reasonable swiftnefs, add N ACT II. Enter Chorus. CHORUS. WOW all the youth of England are on fire 1. And filken dalliance in the wardrobe lies: Now thrvie the armourers, and honour's thought Reigns In this place, in all the editions hitherto, is inferted the chorus which I have poftponed. That chorus manifeftly is intended to advertise the fpectators of the change of the fcene to Southampton, and therefore ought to be placed just before that change, and not here, where the fcene is still continued in London. POPE. Now all the youth of England-] I have replaced this chorus here, by the authority of the old folios; and ended the firft act, as the poet certainly intended. Mr. POPE removed it, becaufe, fays he, "This chorus manifestly is intended to ad"vertise the spectators of the change of the fcene to South"ampton; and therefore ought to be placed just before that "change, and not here." It is true, the fpectators are to be informed, that, when they next fee the king, they are to suppofe him at Southampton. But this does not imply any neceffity of this chorus being contiguous to that change. On the contrary, the very concluding lines vouch abfolutely againft it. But till the king come forth, and not till then, . Unto Southampton do we fhift our fcene. For how abfurd is fuch a notice, if the fcene is to change, fo foon as ever the chorus quits the ftage? Befides, unless this chorus be prefixed to the fcene betwixt Nym, Bardolph, &c. we fhall draw the poet into another abfurdity. Piftol, Nym, and Bardolph are in this feene talking of going to the wars of France: but the king had but juft, at his quitting the ftage, declared his refolutions of commencing this war: and without the Reigns folely in the breaft of every man : O England! model to thy inward greatness, What might'ft thou do, that honour would thee do, But fee, thy fault! France hath in thee found out With treacherous crowns: and three corrupted men, the interval of an act, betwixt the fcene and the comic characters entering, how could they with any probability be informed of this intended expedition? THEOBALD. I think Mr. POPE mistaken in tranfpofing this chorus, and Mr. THEOBALD in concluding the act with it. The chorus evidently introduces that which follows, not comments on that which precedes, and therefore rather begins than ends the act, and so I have printed it. Dr. WARBURON follows Mr. POPE. JOHNSON, 2 For now fits Expectation in the air, And hides a ford from bilts unto the point With crowns imperial, &c.] The imagery is wonderfully fine, and the thought exquifite. Expectation fitting in the air defigns the height of their ambition; and the word hid from the hilt to the point with crowns and coronets, that all fentiments of danger were loft in the thoughts of glory. WARBURTON. The idea is taken from the ancient reprefentations of trophies in tapestry or painting. Among these it is very common to fee fwords encircled with naval or mural crowns. Expectation is likewife perfonified by Milton, Par. Loft, book vi. - while Expectation stood In horror Henry Henry lord Scroop of Mafham; and the third, 3 And by their hands this 4 grace of kings must die, (If hell and treason hold their promises) Ère he take ship for France, and in Southampton. 3 And by their hands this grace of kings muft die, Is now transported, gentles, to Southampton: There is the play-boufe now,-] I fuppofe every one that reads these lines looks about for a meaning which he cannot find. There is no connection of fenfe nor regularity of tranfition from one thought to the other. It may be fufpected that fome lines are loft, and in that cafe the fenfe is irretrievable. I rather think the meaning is obfcured by an accidental transpofition, which I would reform thus: And by their hands this grace of kings muft die, The abufe of diftance, while we force a play. This alteration reftores fenfe, and probably the true fenfe. The lines might be otherwife ranged, but this order pleases me beft. JOHNSON. 41 ✦ — this grace of kings-] i. c. he who does greatest honour to the title. By the fame kind of phrafeology the ufurper in Hamlet is called the Vice of kings, i. e. the opprobrium of them. WARBURTON, 5- while we -] Thefe two words have been added by the modern editors, and (as it fhould feem) very properly. 7. STEEVENS. The |