Patterns in Shakespearian TragedyRoutledge, 2013-09-13 - 224 psl. First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... damnation, whether or not we so believe outside the theatre. We need not be Christians to appreciate Shakespeare, but we do need to share certain moral premises which have been the property of thinking men throughout history: the ...
... damnation, whether or not we so believe outside the theatre. We need not be Christians to appreciate Shakespeare, but we do need to share certain moral premises which have been the property of thinking men throughout history: the ...
10 psl.
... damnation of Macbeth, no less than the salvation of Lear, may serve to affirm the feeling of moral order in a purposive universe upon which tragic reconciliation depends. In spite of the fate of the tragic hero, society at the end of ...
... damnation of Macbeth, no less than the salvation of Lear, may serve to affirm the feeling of moral order in a purposive universe upon which tragic reconciliation depends. In spite of the fate of the tragic hero, society at the end of ...
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Turinys
1 | |
Titus Andronicus Richard III Romeo and Juliet | 14 |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index | 203 |
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Pagrindiniai terminai ir frazės
accept action affirms Alcibiades Antony and Cleopatra Antony's Athens attain audience Aufidius Banquo beast Bolingbroke Brutus Cassius cause character Christian Claudius Cordelia Coriolanus corruption damnation death delusion deny Desdemona destroy destruction divine Dover Wilson dramatic E. M. W. Tillyard Edgar Elizabethan emphasize England father Faulconbridge feeling final folly fool force of evil ghost Gloucester God's harmonious order Hamlet hath honour human Iago Iago's implicit Julius Caesar justice King John King Lear Laertes Lear's learned lust Macbeth madness man's medieval moral order motif murder nature Octavius Ophelia Othello passion pattern play Plutarch political pride reality reason redemption reflects regeneration rejection Renaissance revenge Richard Richard III Roman Rome Romeo and Juliet salvation scene Senecan Shake Shakespeare Shakespearian Tragedy sins soul speare speare's speech spite suffering symbol thee thematic theme thou Timon Titus Andronicus tradition triumph unnatural victory virtue Volumnia Wilson Knight wrong moral choice