Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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40 psl.
... whole of the Devil's discourse is shot through with intertextual allusion to earlier themes28 and , as we shall see in the next chapter , draws on the variety of ways in which the diabolical is imagined in the whole course of the novel ...
... whole of the Devil's discourse is shot through with intertextual allusion to earlier themes28 and , as we shall see in the next chapter , draws on the variety of ways in which the diabolical is imagined in the whole course of the novel ...
159 psl.
... whole section is presented as written up from Alyosha's notes of Zosima's last evening alive , and the narrator begs leave to wonder whether these notes in fact represent jottings from other sessions as well [ 371-72 , 419 ] , given ...
... whole section is presented as written up from Alyosha's notes of Zosima's last evening alive , and the narrator begs leave to wonder whether these notes in fact represent jottings from other sessions as well [ 371-72 , 419 ] , given ...
266 psl.
... whole of the universe . I used to feel I was connected to God like that , and because he was there , I was connected to the whole of his creation . But if he's not there , then . . . " ( 471 ) . The chapters that follow attempt to ...
... whole of the universe . I used to feel I was connected to God like that , and because he was there , I was connected to the whole of his creation . But if he's not there , then . . . " ( 471 ) . The chapters that follow attempt to ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima