Dostoevsky: Language, Faith, and FictionRowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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112 psl.
... as Bakhtin goes on to say , the writing itself cannot offer resolutions in an authorial voice ; if there is any resolution , it must come through a voice within the narrative leading other voices to some kind of convergence .
... as Bakhtin goes on to say , the writing itself cannot offer resolutions in an authorial voice ; if there is any resolution , it must come through a voice within the narrative leading other voices to some kind of convergence .
118 psl.
The splitting process has something to do with an experience of more than usually painful humiliation after which The inner conflict is dramatized 3 and the Double appears first , it seems , as another unstable and anxious voice ...
The splitting process has something to do with an experience of more than usually painful humiliation after which The inner conflict is dramatized 3 and the Double appears first , it seems , as another unstable and anxious voice ...
174 psl.
... it seems , inseparably bound up with the linguistic task of hearing and articulating , voicing , the other ; it is about letting one's own voice be molded by that encounter , silenced in its own uncritical or precritical confidence ...
... it seems , inseparably bound up with the linguistic task of hearing and articulating , voicing , the other ; it is about letting one's own voice be molded by that encounter , silenced in its own uncritical or precritical confidence ...
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LibraryThing Review
Vartotojo apžvalga - zappa - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
LibraryThing Review
Vartotojo apžvalga - Michael_Godfrey - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
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Pagrindiniai terminai ir frazės
accept action actual already Alyosha appears Bakhtin becomes believe chap chapter character Christ Christian claim clear commitment complex connection context continuing conversation create cross death decision Devil diabolical discussion divine Dostoevsky effect existence face fact faith father fiction figure final freedom future give given going happens holy human icon idea imagination important Inquisitor Ivan Ivan's Karamazov kind language later least less live look matter means mind moral murder Myshkin narrative nature never noted novel offer Orthodox person possible presented Press Problems Pyotr question reader reality refusal relation religious represent responsibility Russian seems seen sense significant simply someone sort speak specific spiritual Stavrogin story suffering suggests tells theme theological things Tikhon tion true truth turns understanding University vision voice wants whole writing Zosima
Bibliografinė informacija
| Pavadinimas | Dostoevsky Language, Faith, and Fiction The making of the Christian imagination |
| Autorius | Rowan Williams |
| Leidimas | pakartotinai išspausdintas |
| Leidėjas | Continuum, 2008 |
| Originalas iš | Indianos universitetas |
| Pakeista skaitmenine forma | 25 spalio 2011 |
| ISBN | 1847064256, 9781847064257 |
| Ilgis | 290 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |