Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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5 psl.
... understanding of the interdependence between human freedom and human language and imagination . If I read correctly , he is committed to an understanding of both speech and fiction that is deeply rooted in a kind of theology ...
... understanding of the interdependence between human freedom and human language and imagination . If I read correctly , he is committed to an understanding of both speech and fiction that is deeply rooted in a kind of theology ...
13 psl.
... understanding of Christ which are strongly echoed in his approach to novelistic method , as Bakhtin stresses ; but there are also aspects of his treatment of how the holy is represented that are more readily intelligible in an Eastern ...
... understanding of Christ which are strongly echoed in his approach to novelistic method , as Bakhtin stresses ; but there are also aspects of his treatment of how the holy is represented that are more readily intelligible in an Eastern ...
131 psl.
... understanding the human good : 25 more specifically , they dramatize refusals of dialogue . Obviously , Dos- toevsky did not believe that monasticism as such or the intellectual life as such or even the sensual life as such was ...
... understanding the human good : 25 more specifically , they dramatize refusals of dialogue . Obviously , Dos- toevsky did not believe that monasticism as such or the intellectual life as such or even the sensual life as such was ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima