Dostoevsky: Language, Faith, and FictionRowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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11 psl.
It is in one sense true that we can say what we like ; in another sense , manifestly not true , since we are performing linguistically within a world in which we have to make ourselves recognizable to other speakers , as they are to us ...
It is in one sense true that we can say what we like ; in another sense , manifestly not true , since we are performing linguistically within a world in which we have to make ourselves recognizable to other speakers , as they are to us ...
29 psl.
First , it is definitely true that the Inquisitor narrative is not meant to be a last word in the novel and should not be abstracted from the rest of it . Dostoevsky himself conceived the sixth book of the novel , detailing the life and ...
First , it is definitely true that the Inquisitor narrative is not meant to be a last word in the novel and should not be abstracted from the rest of it . Dostoevsky himself conceived the sixth book of the novel , detailing the life and ...
214 psl.
A true image of it will necessarily be something that can be broken or spat upon ; a narrative image is one that has endured something of the self - disfiguring of rebellious individualism . Take away the kenotic " story at the center ...
A true image of it will necessarily be something that can be broken or spat upon ; a narrative image is one that has endured something of the self - disfiguring of rebellious individualism . Take away the kenotic " story at the center ...
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LibraryThing Review
Vartotojo apžvalga - zappa - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
LibraryThing Review
Vartotojo apžvalga - Michael_Godfrey - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
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Pagrindiniai terminai ir frazės
accept action actual already Alyosha appears Bakhtin becomes believe chap chapter character Christ Christian claim clear commitment complex connection context continuing conversation create cross death decision Devil diabolical discussion divine Dostoevsky effect existence face fact faith father fiction figure final freedom future give given going happens holy human icon idea imagination important Inquisitor Ivan Ivan's Karamazov kind language later least less live look matter means mind moral murder Myshkin narrative nature never noted novel offer Orthodox person possible presented Press Problems Pyotr question reader reality refusal relation religious represent responsibility Russian seems seen sense significant simply someone sort speak specific spiritual Stavrogin story suffering suggests tells theme theological things Tikhon tion true truth turns understanding University vision voice wants whole writing Zosima
Bibliografinė informacija
| Pavadinimas | Dostoevsky Language, Faith, and Fiction The making of the Christian imagination |
| Autorius | Rowan Williams |
| Leidimas | pakartotinai išspausdintas |
| Leidėjas | Continuum, 2008 |
| Originalas iš | Indianos universitetas |
| Pakeista skaitmenine forma | 25 spalio 2011 |
| ISBN | 1847064256, 9781847064257 |
| Ilgis | 290 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |