Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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24 psl.
... tion of a new birth . But the point is that Shatov has been liberated from the need to create God through his own will by the invasive presence of joy ; the midwife and Shatov's wife suspect him of running out onto the stairway to pray ...
... tion of a new birth . But the point is that Shatov has been liberated from the need to create God through his own will by the invasive presence of joy ; the midwife and Shatov's wife suspect him of running out onto the stairway to pray ...
173 psl.
... tion of Zosima's recollections [ 376-83 ] is in a sense a long gloss on the theme of stories that create a spiritual and moral landscape which remains dormant in the soul even if it is not fully inhabited ; the stories of Scripture work ...
... tion of Zosima's recollections [ 376-83 ] is in a sense a long gloss on the theme of stories that create a spiritual and moral landscape which remains dormant in the soul even if it is not fully inhabited ; the stories of Scripture work ...
239 psl.
... tion , from his lectures on psychoanalysis ) " of reductive and deter- minist anthropology ; Raskolnikov's muddled reflections and Rakitin's attempt to persuade Mitya Karamazov that there is no such thing as criminal responsibility both ...
... tion , from his lectures on psychoanalysis ) " of reductive and deter- minist anthropology ; Raskolnikov's muddled reflections and Rakitin's attempt to persuade Mitya Karamazov that there is no such thing as criminal responsibility both ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima