Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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72 psl.
... tells us . The telltale element is the Devil's ignorance of a " secret " about the unfold- ing of events that is ... telling one's own story and that of others without foreclosing their meaning or distorting the telling in the interests ...
... tells us . The telltale element is the Devil's ignorance of a " secret " about the unfold- ing of events that is ... telling one's own story and that of others without foreclosing their meaning or distorting the telling in the interests ...
101 psl.
... tells us who he is : " he need not tell us who he is because all the others do it for him , " 4 ° and so his apparent self - revelation in this chap- ter is inappropriate.41 But this misses a couple of important points . Even if it were ...
... tells us who he is : " he need not tell us who he is because all the others do it for him , " 4 ° and so his apparent self - revelation in this chap- ter is inappropriate.41 But this misses a couple of important points . Even if it were ...
241 psl.
... tells us ( and others , if we share it with them ) essential things about where we are on the moral landscape ... tells us nothing ; it is the opposite of a revelatory decision . Or rather it tells us that there is nothing in Levin's ...
... tells us ( and others , if we share it with them ) essential things about where we are on the moral landscape ... tells us nothing ; it is the opposite of a revelatory decision . Or rather it tells us that there is nothing in Levin's ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima