Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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76 psl.
... story of grace can be a story about some sustained physical engagement no less than a story about compassion between persons . Dostoevsky might not have been quick to agree , but you could read something like the narrative of Levin's ...
... story of grace can be a story about some sustained physical engagement no less than a story about compassion between persons . Dostoevsky might not have been quick to agree , but you could read something like the narrative of Levin's ...
118 psl.
... story . Since he is constantly talking to himself that is how most of the story is told the appearance of the Double is at one level not surprising . Golyadkin manages his anxiety by a stream of would - be reassuring discourse addressed ...
... story . Since he is constantly talking to himself that is how most of the story is told the appearance of the Double is at one level not surprising . Golyadkin manages his anxiety by a stream of would - be reassuring discourse addressed ...
142 psl.
... story , not even of Alyosha's story . His role in the remainder of the novel is , as has often been noted , unexpectedly muted , and the rest of his story , as envisaged by Dostoevsky , 44 does not suggest a steady advance in uncom ...
... story , not even of Alyosha's story . His role in the remainder of the novel is , as has often been noted , unexpectedly muted , and the rest of his story , as envisaged by Dostoevsky , 44 does not suggest a steady advance in uncom ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima