Dostoevsky: Language, Faith, and Fiction
Continuum, 2008 - 290 psl.
Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it.
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pitulating exactly what the historically specific record shows . Notably , he does not teach ; he works wonders ( interestingly , in the notebooks for Devils , where we see Dostoevsky taking immense trouble to get the conversation ...
... an equality of love for specific human beings , such that the death or failure of any one of them is equally a tragedy , will be impossible . The outlook of the Inquisitor is in fact that of the sinister Shigalyov in Devils a plan ...
Devils,passim; specific discussions, 21-26, 85-110, 135-42, 190-96, 202-3, 218-20 dialectic, 127, 145, 174, 221 dialogue, 3, 79, 108, 110, 113-14, 116-19, 128, 131-36, 138-40, 143, 146, 158, 164, 172, 175, 178, 193, 208, 214-15, 218, ...
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Densely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą