Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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113 psl.
... speak , as we have done in previous chapters , about the affirmation of history is to speak about the affirmation of language . And if the Devil's aim is silence , God's is speech , the dialogic speech by which we shape each other ...
... speak , as we have done in previous chapters , about the affirmation of history is to speak about the affirmation of language . And if the Devil's aim is silence , God's is speech , the dialogic speech by which we shape each other ...
120 psl.
... speaking the language we ( really and internally ) speak but are ashamed of . The second part of Notes from the Underground is something like an enacted parable of the condition we share with the Underground Man , as he savagely reminds ...
... speaking the language we ( really and internally ) speak but are ashamed of . The second part of Notes from the Underground is something like an enacted parable of the condition we share with the Underground Man , as he savagely reminds ...
173 psl.
... speak that the options of others are clarified , not controlled . And this can happen only when there is an imaginative penetration into what is other : I become responsible when I can indeed " answer " for what is not myself , when I ...
... speak that the options of others are clarified , not controlled . And this can happen only when there is an imaginative penetration into what is other : I become responsible when I can indeed " answer " for what is not myself , when I ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima