Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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39 psl.
... seen and valued as such , not as aspects of a supposed harmony ; allow them to be seen in the light of an imagined whole , and they become derealized — which is an intolerable outrage where the nightmare sufferings of children are ...
... seen and valued as such , not as aspects of a supposed harmony ; allow them to be seen in the light of an imagined whole , and they become derealized — which is an intolerable outrage where the nightmare sufferings of children are ...
52 psl.
... seen a real human being for the first time ( though the Russian can also mean that she has seen for the first time what human beings are really like , i.e. , what degradation they are capable of ) . But because that valuing does not ...
... seen a real human being for the first time ( though the Russian can also mean that she has seen for the first time what human beings are really like , i.e. , what degradation they are capable of ) . But because that valuing does not ...
168 psl.
... seen as a mark of the diabolical elsewhere - the condition in which the absolute liberty of the willing self becomes more important than reality , the state of mind of the Underground Man frozen for eternity in its misunderstanding of ...
... seen as a mark of the diabolical elsewhere - the condition in which the absolute liberty of the willing self becomes more important than reality , the state of mind of the Underground Man frozen for eternity in its misunderstanding of ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima