Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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39 psl.
... refusal to accept a world in which atrocities hap- pen is also a refusal to accept the actuality of healing or forgiveness . And while this is in many ways an appropriate aspect of the human response to atrocity — as in the memorial ...
... refusal to accept a world in which atrocities hap- pen is also a refusal to accept the actuality of healing or forgiveness . And while this is in many ways an appropriate aspect of the human response to atrocity — as in the memorial ...
57 psl.
... refusal of coercion or violence is the refusal of a path that would close off such further and potentially life- giving change , and we have seen how , in the “ afterlife ” of the Inquisi- tor story in the novel , it turns out that ...
... refusal of coercion or violence is the refusal of a path that would close off such further and potentially life- giving change , and we have seen how , in the “ afterlife ” of the Inquisi- tor story in the novel , it turns out that ...
241 psl.
... refusal to contemplate suffering that we might alleviate ? Then we have a problem ; we are allowing that our responsibility has limits : not just practical limits , as that is granted in Alyosha's encouragement to Mitya to abandon his ...
... refusal to contemplate suffering that we might alleviate ? Then we have a problem ; we are allowing that our responsibility has limits : not just practical limits , as that is granted in Alyosha's encouragement to Mitya to abandon his ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima