Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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5 psl.
... reader , this is what we need to grasp if we are to read in a that takes into account his own purposes . way This is to raise the question of how far and in what sense we should call Dostoevsky a Christian or indeed an Orthodox novelist ...
... reader , this is what we need to grasp if we are to read in a that takes into account his own purposes . way This is to raise the question of how far and in what sense we should call Dostoevsky a Christian or indeed an Orthodox novelist ...
103 psl.
... reader but also with the ridicule of the reader ? Has he realized that the whole enterprise of public confession and penance of this kind will make him look not only hateful but foolish ? Tikhon has read the ambiguity of the document ...
... reader but also with the ridicule of the reader ? Has he realized that the whole enterprise of public confession and penance of this kind will make him look not only hateful but foolish ? Tikhon has read the ambiguity of the document ...
121 psl.
... reader to do the same , and to recognize that there are elements of self - recognition that have not yet been drawn out in the reader's own discourse . It is not only the saints in Dostoevsky who prompt self- revelation . Here it is a ...
... reader to do the same , and to recognize that there are elements of self - recognition that have not yet been drawn out in the reader's own discourse . It is not only the saints in Dostoevsky who prompt self- revelation . Here it is a ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima