Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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58 psl.
... radical patience with the unplanned and undetermined decisions of agents . For a critic like Lukacs , " the novel , whose history begins with that text so important in The Idiot , Don Quixote , has its origins at the point where ...
... radical patience with the unplanned and undetermined decisions of agents . For a critic like Lukacs , " the novel , whose history begins with that text so important in The Idiot , Don Quixote , has its origins at the point where ...
122 psl.
... radical who was part of Dostoevsky's inspiration for the character of Pyotr in Devils , we are told that the true revolutionary has no name . " 18 And it is a central element in Dostoevsky's portrait of the diabolical char acter that ...
... radical who was part of Dostoevsky's inspiration for the character of Pyotr in Devils , we are told that the true revolutionary has no name . " 18 And it is a central element in Dostoevsky's portrait of the diabolical char acter that ...
164 psl.
... radical way possible . As with the Visitor , it is as if the radical intention , the acceptance in advance of what is involved in embracing suffering for the sake of honoring this universal responsibility , is taken for the deed , and ...
... radical way possible . As with the Visitor , it is as if the radical intention , the acceptance in advance of what is involved in embracing suffering for the sake of honoring this universal responsibility , is taken for the deed , and ...
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Pagrindiniai terminai ir frazės
accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima