Dostoevsky: Language, Faith, and FictionRowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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2 psl.
An earlyish comment of his has been cited in evidence , as has what is often seen as the failure of his last and greatest novel to deliver its supposed goal of defending or restoring the possibility of faith .
An earlyish comment of his has been cited in evidence , as has what is often seen as the failure of his last and greatest novel to deliver its supposed goal of defending or restoring the possibility of faith .
58 psl.
In the world of the novel , when all this has been said , everything is still to play for . And the attempt to approach human affairs as if they belonged to the world of evidence and determined outcome is bound to end in violence ...
In the world of the novel , when all this has been said , everything is still to play for . And the attempt to approach human affairs as if they belonged to the world of evidence and determined outcome is bound to end in violence ...
256 psl.
also the influence of Sand's novel , Mauprat , on the treatment of Mitya , as well as on the final encounter between Svidrigailov and Dunya in Crime and Punishment - a connection first demonstrated by V. L. Komarovich .
also the influence of Sand's novel , Mauprat , on the treatment of Mitya , as well as on the final encounter between Svidrigailov and Dunya in Crime and Punishment - a connection first demonstrated by V. L. Komarovich .
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LibraryThing Review
Vartotojo apžvalga - zappa - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
LibraryThing Review
Vartotojo apžvalga - Michael_Godfrey - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
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Pagrindiniai terminai ir frazės
accept action actual already Alyosha appears Bakhtin becomes believe chap chapter character Christ Christian claim clear commitment complex connection context continuing conversation create cross death decision Devil diabolical discussion divine Dostoevsky effect existence face fact faith father fiction figure final freedom future give given going happens holy human icon imagination important Inquisitor Ivan Ivan's Karamazov kind language later least less living look matter means mind moral murder Myshkin narrative nature never noted novel offer Orthodox person possible presented Press Problems Pyotr question reader reality reflection refusal relation religious represent responsibility Russian seems seen sense significant simply someone sort speak specific spiritual Stavrogin story suffering suggests tells theme theological things Tikhon tion true truth turns understanding University vision voice wants whole writing Zosima
Bibliografinė informacija
| Pavadinimas | Dostoevsky Language, Faith, and Fiction The making of the Christian imagination |
| Autorius | Rowan Williams |
| Leidimas | pakartotinai išspausdintas |
| Leidėjas | Continuum, 2008 |
| Originalas iš | Indianos universitetas |
| Pakeista skaitmenine forma | 25 spalio 2011 |
| ISBN | 1847064256, 9781847064257 |
| Ilgis | 290 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |