Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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59 psl.
... narrative secularity , Dostoevsky's fiction draws us back firmly toward a theological problematic . Human subjectivity seeks , in the chaotic exchanges of speech and action , definitions that are continually renegotiated , sometimes ...
... narrative secularity , Dostoevsky's fiction draws us back firmly toward a theological problematic . Human subjectivity seeks , in the chaotic exchanges of speech and action , definitions that are continually renegotiated , sometimes ...
113 psl.
... narrative is argument and argument is narrative . The only way in which we are to move toward a sustainable truth , a truth that is more than either a private ideology or a neutral description , is by being immersed in the interaction ...
... narrative is argument and argument is narrative . The only way in which we are to move toward a sustainable truth , a truth that is more than either a private ideology or a neutral description , is by being immersed in the interaction ...
214 psl.
... narrative is not simply the ensemble of stories about Jesus recorded in Christian Scripture ; it is also the narrative of the self - displacement of God that occurs when the eternal Word becomes human and historical . It is thus a ...
... narrative is not simply the ensemble of stories about Jesus recorded in Christian Scripture ; it is also the narrative of the self - displacement of God that occurs when the eternal Word becomes human and historical . It is thus a ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima