Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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46 psl.
... means that we have to go on speaking / writing about God , allowing the lan- guage of faith to encounter fresh trials every day , and also fresh distor tions and refusals . In writing fiction in which no formula is allowed ...
... means that we have to go on speaking / writing about God , allowing the lan- guage of faith to encounter fresh trials every day , and also fresh distor tions and refusals . In writing fiction in which no formula is allowed ...
142 psl.
... means ; perhaps the most " transparent " moment is when he repeats - in French ! -his acknowledgement that he has lied all his life [ 656 ] . He rambles on , again movingly combining a passion to share what he has been given with the ...
... means ; perhaps the most " transparent " moment is when he repeats - in French ! -his acknowledgement that he has lied all his life [ 656 ] . He rambles on , again movingly combining a passion to share what he has been given with the ...
225 psl.
... means . Despite the lyrical cosmic spirituality of Markel and his brother , and of Alyosha after his dream , the ... means only when we see it defiled when we can articulate what blasphemy means , is not a commendation of blasphemy as a ...
... means . Despite the lyrical cosmic spirituality of Markel and his brother , and of Alyosha after his dream , the ... means only when we see it defiled when we can articulate what blasphemy means , is not a commendation of blasphemy as a ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima