Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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135 psl.
... matter for a person with Dosto- evsky's record ) , and his appreciation of Herzen's sensitivity and bril- liance was considerable , despite the disagreements , and never entirely disappeared . Strakhov , an uncompromising conservative ...
... matter for a person with Dosto- evsky's record ) , and his appreciation of Herzen's sensitivity and bril- liance was considerable , despite the disagreements , and never entirely disappeared . Strakhov , an uncompromising conservative ...
226 psl.
... matter , always open to contest and denial ; if it seeks greater clarity or closure , it steps out- side the reality of the world in which it is operating in this instance the " world " of the fiction itself . And in the novelist's ...
... matter , always open to contest and denial ; if it seeks greater clarity or closure , it steps out- side the reality of the world in which it is operating in this instance the " world " of the fiction itself . And in the novelist's ...
227 psl.
... matter of indifference to him or that he can be claimed for some form of contemporary nonreal- ism . But the difference between the self - aware believer , the self - aware sinner and the conscious and deliberate atheist is not a ...
... matter of indifference to him or that he can be claimed for some form of contemporary nonreal- ism . But the difference between the self - aware believer , the self - aware sinner and the conscious and deliberate atheist is not a ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima