Dostoevsky: Language, Faith, and FictionRowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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7 psl.
The second kind could only be written by someone whose concern was to provide a structured narrative space ( a notion I'll elaborate later in this book ) in which tensions were created for the reader rather than the characters that is ...
The second kind could only be written by someone whose concern was to provide a structured narrative space ( a notion I'll elaborate later in this book ) in which tensions were created for the reader rather than the characters that is ...
16 psl.
It is in one sense or another something created by human freedom.4 Given the centrality of freedom to all that Dostoevsky wrote and there will be much more to say about this later on - this looks like an attractive reading .
It is in one sense or another something created by human freedom.4 Given the centrality of freedom to all that Dostoevsky wrote and there will be much more to say about this later on - this looks like an attractive reading .
191 psl.
Two days later , she is part of a large group of fashionable young people who - at Lyamshin's instigation - are off to visit a local recluse with a reputation as a holy fool , Semyon Yakovlevich . Dostoevsky gives an unsparing portrait ...
Two days later , she is part of a large group of fashionable young people who - at Lyamshin's instigation - are off to visit a local recluse with a reputation as a holy fool , Semyon Yakovlevich . Dostoevsky gives an unsparing portrait ...
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LibraryThing Review
Vartotojo apžvalga - zappa - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
LibraryThing Review
Vartotojo apžvalga - Michael_Godfrey - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
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Pagrindiniai terminai ir frazės
accept action actual already Alyosha appears Bakhtin becomes believe chap chapter character Christ Christian claim clear commitment complex connection context continuing conversation create cross death decision Devil diabolical discussion divine Dostoevsky effect existence face fact faith father fiction figure final freedom future give given going happens holy human icon idea imagination important Inquisitor Ivan Ivan's Karamazov kind language later least less live look matter means mind moral murder Myshkin narrative nature never noted novel offer Orthodox person possible presented Press Problems Pyotr question reader reality refusal relation religious represent responsibility Russian seems seen sense significant simply someone sort speak specific spiritual Stavrogin story suffering suggests tells theme theological things Tikhon tion true truth turns understanding University vision voice wants whole writing Zosima
Bibliografinė informacija
| Pavadinimas | Dostoevsky Language, Faith, and Fiction The making of the Christian imagination |
| Autorius | Rowan Williams |
| Leidimas | pakartotinai išspausdintas |
| Leidėjas | Continuum, 2008 |
| Originalas iš | Indianos universitetas |
| Pakeista skaitmenine forma | 25 spalio 2011 |
| ISBN | 1847064256, 9781847064257 |
| Ilgis | 290 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |