Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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... kind of challenge . Their mode is essentially comic ( not to say grotesque ) , in the sense that the persons of the fic- tion are caught in incongruities they do not themselves see or under- stand . We cannot expect an outcome that will ...
... kind of challenge . Their mode is essentially comic ( not to say grotesque ) , in the sense that the persons of the fic- tion are caught in incongruities they do not themselves see or under- stand . We cannot expect an outcome that will ...
110 psl.
... kind of writing it is that both holds this fluidity without artificial and destructive closure and opens the process of storytelling to some kind of healing convergence on an unconditional absolution , and it is the way he handles ...
... kind of writing it is that both holds this fluidity without artificial and destructive closure and opens the process of storytelling to some kind of healing convergence on an unconditional absolution , and it is the way he handles ...
133 psl.
... kind of death . They all forget the basic insight that freedom is most clearly seen in language , in the capacity of human agents to go beyond either mere reaction to or reproduction of the world of material stimuli ; and if this is the ...
... kind of death . They all forget the basic insight that freedom is most clearly seen in language , in the capacity of human agents to go beyond either mere reaction to or reproduction of the world of material stimuli ; and if this is the ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima