Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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60 psl.
... Dostoevskian thought . Once you have elaborated a seri- ous theological thesis about how the narrative of the Word incarnate might be the cornerstone of a theory of the novel 60 Dostoevsky : Language , Faith , and Fiction.
... Dostoevskian thought . Once you have elaborated a seri- ous theological thesis about how the narrative of the Word incarnate might be the cornerstone of a theory of the novel 60 Dostoevsky : Language , Faith , and Fiction.
99 psl.
... incarnate , since there is nothing that can be achieved in history except through human wills . That is why the Devil of Ivan's nightmare is unable to commit himself to any kind of belief , as he has no material and psychological ...
... incarnate , since there is nothing that can be achieved in history except through human wills . That is why the Devil of Ivan's nightmare is unable to commit himself to any kind of belief , as he has no material and psychological ...
214 psl.
... incarnate Christ that allows us to make sense of the particular kind of imaging that is going on in both the saints and the sinners of Dostoevsky's world . That narrative is not simply the ensemble of stories about Jesus recorded in ...
... incarnate Christ that allows us to make sense of the particular kind of imaging that is going on in both the saints and the sinners of Dostoevsky's world . That narrative is not simply the ensemble of stories about Jesus recorded in ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima