Dostoevsky: Language, Faith, and Fiction
Continuum, 2008 - 290 psl.
Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it.
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39 Holquist , for whom the silence of Stavrogin throughout the rest of the novel is very important , argues that Dostoevsky's decision not to reinstate the chapter was prompted by sound narrative and aesthetic considerations , not only ...
... Ill.: Northwestern University Press, 1997); Ruth Coates, Christianity in Bakhtin: God and the Exiled Author (Cambridge: Cambridge University Press, 1998); and the important symposium on Bakhtin and Religion:A Feeling for Faith, ed.
These belong in the same general intellectual frame as a number of important pre - Revolutionary works , especially Lev Shestov , Dostoevsky and Nietzsche : The Philosophy of Tragedy , in his Dostoevsky , Tolstoy and Nietzsche ...
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Densely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą