Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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xi psl.
... imagination is something that continues to be the more or less daily business of religious believers , and it needs to be acknowledged that this is a pro- cess immeasurably more sophisticated than the repetitive dogmatism so widely ...
... imagination is something that continues to be the more or less daily business of religious believers , and it needs to be acknowledged that this is a pro- cess immeasurably more sophisticated than the repetitive dogmatism so widely ...
9 psl.
... imagination ) .1 We do not have to take on board all of Weil's passionate pessimism about the nature of all individual human subjectivity to see the point , and it is a point very close indeed to what Alyosha is saying . He knows the ...
... imagination ) .1 We do not have to take on board all of Weil's passionate pessimism about the nature of all individual human subjectivity to see the point , and it is a point very close indeed to what Alyosha is saying . He knows the ...
20 psl.
... imagination and affections into the beginnings of a very seri- ous literary and theological strategy even if he would have demurred from being described as a theologian . It is literary as well as theologi- cal , because , as we shall ...
... imagination and affections into the beginnings of a very seri- ous literary and theological strategy even if he would have demurred from being described as a theologian . It is literary as well as theologi- cal , because , as we shall ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima