Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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10 psl.
... final reply of belief or unbelief , can only come in a statement that conforms to the demands of art and reality . " 14 Sutherland is not persuaded that such a fusion of art and reality can be found even in Karamazov , despite ...
... final reply of belief or unbelief , can only come in a statement that conforms to the demands of art and reality . " 14 Sutherland is not persuaded that such a fusion of art and reality can be found even in Karamazov , despite ...
44 psl.
... final account of Dosto- evsky's faith which will work as a system that has passed beyond trial and contention . At the very end of his life , he could write words that are remarkably similar to the 1854 confession . In his final ...
... final account of Dosto- evsky's faith which will work as a system that has passed beyond trial and contention . At the very end of his life , he could write words that are remarkably similar to the 1854 confession . In his final ...
173 psl.
... final negation of the I ; the developed understanding of responsibility insists on the taking of a position in order to create space for the other . It is no part of Dos- toevsky's ethic to commend anything like an invitation to the ...
... final negation of the I ; the developed understanding of responsibility insists on the taking of a position in order to create space for the other . It is no part of Dos- toevsky's ethic to commend anything like an invitation to the ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima