Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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4 psl.
... fiction and how , was not in huge supply ; and some of the essays devoted to religious aspects of the novel by serious literary critics were strikingly tone - deaf to the material . However , a growing awareness of the complex relation ...
... fiction and how , was not in huge supply ; and some of the essays devoted to religious aspects of the novel by serious literary critics were strikingly tone - deaf to the material . However , a growing awareness of the complex relation ...
46 psl.
... fiction in which no formula is allowed unchallengeable victory , Dostoevsky has implicitly developed what might be called a theology of writing , specifically of narrative writing . Every fiction is at its most fictional in its endings ...
... fiction in which no formula is allowed unchallengeable victory , Dostoevsky has implicitly developed what might be called a theology of writing , specifically of narrative writing . Every fiction is at its most fictional in its endings ...
240 psl.
... fiction that both clearly speaks the truth and yet provides the material on which a refusal or refutation can be based . This is the enterprise of Karamazov above all , and it has manifestly succeeded to the extent that readers have ...
... fiction that both clearly speaks the truth and yet provides the material on which a refusal or refutation can be based . This is the enterprise of Karamazov above all , and it has manifestly succeeded to the extent that readers have ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima