Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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48 psl.
... fact that the Prince makes no adult choices . Despite Holquist's thesis , it remains true that the Christ of the gospels is in fact presented as making such choices - resisting temptation in the desert , struggling to accept the divine ...
... fact that the Prince makes no adult choices . Despite Holquist's thesis , it remains true that the Christ of the gospels is in fact presented as making such choices - resisting temptation in the desert , struggling to accept the divine ...
116 psl.
... fact , committed an arbitrary crime , and the killing of Alyona's sister Lizaveta is an act of sheer self - protective panic , in its way more shocking than the murder of Alyona . But it is just this self- protective violence that gives ...
... fact , committed an arbitrary crime , and the killing of Alyona's sister Lizaveta is an act of sheer self - protective panic , in its way more shocking than the murder of Alyona . But it is just this self- protective violence that gives ...
149 psl.
... fact of narrative continuity . The focus on the indeterminate moment is not a way of saying that the only impor tant decisions are those in which everything is thought to be at stake ; rather it says simply that as a matter of fact each ...
... fact of narrative continuity . The focus on the indeterminate moment is not a way of saying that the only impor tant decisions are those in which everything is thought to be at stake ; rather it says simply that as a matter of fact each ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima