Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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110 psl.
... dialogue that tells us most about how he moves to fulfill this aim . 3 THE LAST WORD ? Dialogue and Recognition Staree tavrogin IIO Dostoevsky : Language , Faith , and Fiction.
... dialogue that tells us most about how he moves to fulfill this aim . 3 THE LAST WORD ? Dialogue and Recognition Staree tavrogin IIO Dostoevsky : Language , Faith , and Fiction.
133 psl.
... dialogue extended in time . To quote Bakhtin once more : " Dialogue ... is not a means for revealing , for bringing to the surface the already ready - made character of a per- son ; no , in dialogue a person not only shows himself ...
... dialogue extended in time . To quote Bakhtin once more : " Dialogue ... is not a means for revealing , for bringing to the surface the already ready - made character of a per- son ; no , in dialogue a person not only shows himself ...
135 psl.
... Dialogue goes on because of a trust that rec- ognition will be possible . And acknowledging that misrecognition hap- pens is part of the fuel of continuing the process ; acknowledging that I misspeak myself prompts me to allow time for ...
... Dialogue goes on because of a trust that rec- ognition will be possible . And acknowledging that misrecognition hap- pens is part of the fuel of continuing the process ; acknowledging that I misspeak myself prompts me to allow time for ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima