Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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40 psl.
... conversation begins with a casual reminder to Ivan about something he has forgot- ten . Ivan rounds on the Devil and accuses him of trying to prove his existence to him by this reminder : his visitor is attempting to show that he knows ...
... conversation begins with a casual reminder to Ivan about something he has forgot- ten . Ivan rounds on the Devil and accuses him of trying to prove his existence to him by this reminder : his visitor is attempting to show that he knows ...
45 psl.
... conversation with Ivan is analogous to the writer's self- interrogation . And when it is God that we are talking about , the need for such self - interrogation becomes more urgent , since the dangers of avoiding it are so dramatic . All ...
... conversation with Ivan is analogous to the writer's self- interrogation . And when it is God that we are talking about , the need for such self - interrogation becomes more urgent , since the dangers of avoiding it are so dramatic . All ...
100 psl.
... conversation with Bishop Tikhon , a conversation that seems to take place at the prompting of Shatov [ 262 ] , and contains the written confession in which Nikolai describes his seduction of a child who subsequently commits suicide ...
... conversation with Bishop Tikhon , a conversation that seems to take place at the prompting of Shatov [ 262 ] , and contains the written confession in which Nikolai describes his seduction of a child who subsequently commits suicide ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima