Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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xii psl.
... continuing of dialogue is what writing most intends . So no apologies ; and indeed , the writing of this book has been so much of a stimulus and a delight that I would feel it both ungracious and untruthful to say sorry for it . Instead ...
... continuing of dialogue is what writing most intends . So no apologies ; and indeed , the writing of this book has been so much of a stimulus and a delight that I would feel it both ungracious and untruthful to say sorry for it . Instead ...
131 psl.
... continuing labor of bringing itself into speech and finding what can be said not only to others but " after " others , in the light of what is said to and about it . Thus Karamazov sketches different ways in which subjects or speak- ers ...
... continuing labor of bringing itself into speech and finding what can be said not only to others but " after " others , in the light of what is said to and about it . Thus Karamazov sketches different ways in which subjects or speak- ers ...
135 psl.
... continuing the process ; acknowledging that I misspeak myself prompts me to allow time for the probing of another's misspeaking . To assume that the words I am confronted with represent systematic coherence is to treat the words of ...
... continuing the process ; acknowledging that I misspeak myself prompts me to allow time for the probing of another's misspeaking . To assume that the words I am confronted with represent systematic coherence is to treat the words of ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima