Dostoevsky: Language, Faith, and FictionRowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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But it is very clear that Ferapont does not speak for the monastery or its ethos . It is left to the Obdorsk monk to take him as a spiritual hero - though Dostoevsky suggests very skillfully some of the difficulties even this rather ...
But it is very clear that Ferapont does not speak for the monastery or its ethos . It is left to the Obdorsk monk to take him as a spiritual hero - though Dostoevsky suggests very skillfully some of the difficulties even this rather ...
95 psl.
And it is now clear that humanity desperately needs to believe that there is something infinitely greater than itself , in which perfect happiness eternally exists ; only when we focus on this eternal bliss which belongs to an eternal ...
And it is now clear that humanity desperately needs to believe that there is something infinitely greater than itself , in which perfect happiness eternally exists ; only when we focus on this eternal bliss which belongs to an eternal ...
114 psl.
Indeed , as we have seen already , there has to be a sense in which such unity and intelligibility is never a completed task , and it is the function of good narrative to make clear that level of openness . In Dostoevsky's major works ...
Indeed , as we have seen already , there has to be a sense in which such unity and intelligibility is never a completed task , and it is the function of good narrative to make clear that level of openness . In Dostoevsky's major works ...
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Vartotojo apžvalga - zappa - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
LibraryThing Review
Vartotojo apžvalga - Michael_Godfrey - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
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Pagrindiniai terminai ir frazės
accept action actual already Alyosha appears Bakhtin becomes believe chap chapter character Christ Christian claim clear commitment complex connection context continuing conversation create cross death decision Devil diabolical discussion divine Dostoevsky effect existence face fact faith father fiction figure final freedom future give given going happens holy human icon idea imagination important Inquisitor Ivan Ivan's Karamazov kind language later least less live look matter means mind moral murder Myshkin narrative nature never noted novel offer Orthodox person possible presented Press Problems Pyotr question reader reality refusal relation religious represent responsibility Russian seems seen sense significant simply someone sort speak specific spiritual Stavrogin story suffering suggests tells theme theological things Tikhon tion true truth turns understanding University vision voice wants whole writing Zosima
Bibliografinė informacija
| Pavadinimas | Dostoevsky Language, Faith, and Fiction The making of the Christian imagination |
| Autorius | Rowan Williams |
| Leidimas | pakartotinai išspausdintas |
| Leidėjas | Continuum, 2008 |
| Originalas iš | Indianos universitetas |
| Pakeista skaitmenine forma | 25 spalio 2011 |
| ISBN | 1847064256, 9781847064257 |
| Ilgis | 290 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |