Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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68 psl.
... becomes clearest when we look at the two major references in Karamazov to the Devil , both in relation to Ivan . It has been suggested that Ivan stands to Ferapont as Alyosha does to Zosima ; both Ivan and the monk see the demonic as ...
... becomes clearest when we look at the two major references in Karamazov to the Devil , both in relation to Ivan . It has been suggested that Ivan stands to Ferapont as Alyosha does to Zosima ; both Ivan and the monk see the demonic as ...
133 psl.
... becomes for the first time that which he is — and , we repeat , not only for others but for himself as well . " 26 To show the inner life in writing is always to show an engagement indeed , Bakhtin's translator uses the loaded word ...
... becomes for the first time that which he is — and , we repeat , not only for others but for himself as well . " 26 To show the inner life in writing is always to show an engagement indeed , Bakhtin's translator uses the loaded word ...
234 psl.
... becomes theologically signifi- cant . Dostoevsky works on the basis that the novelist is able to show in some degree what divine creation might be like : that is , by creating a world in which the unexpected and unscripted is ...
... becomes theologically signifi- cant . Dostoevsky works on the basis that the novelist is able to show in some degree what divine creation might be like : that is , by creating a world in which the unexpected and unscripted is ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima