Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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49 psl.
... action through his own self - venturing , but he is a catalyst for hidden or latent feeling and so in that mode a shaper of action in others . Myshkin is an epileptic , and the unforgettably vivid description of the pretraumatic " aura ...
... action through his own self - venturing , but he is a catalyst for hidden or latent feeling and so in that mode a shaper of action in others . Myshkin is an epileptic , and the unforgettably vivid description of the pretraumatic " aura ...
87 psl.
... action that can deliver drastic change - action that may include " political murder . ” Pyotr tantalizes his audience with mysteri- ous allusions to a network of cells of five across the country and even perhaps more widely , a network ...
... action that can deliver drastic change - action that may include " political murder . ” Pyotr tantalizes his audience with mysteri- ous allusions to a network of cells of five across the country and even perhaps more widely , a network ...
145 psl.
... actions that make a difference . Yet to imagine actions that make a difference is also to imagine a diversity of action , to imagine what is not chosen as well as what is . If like the Underground Man - we want to reject a world in ...
... actions that make a difference . Yet to imagine actions that make a difference is also to imagine a diversity of action , to imagine what is not chosen as well as what is . If like the Underground Man - we want to reject a world in ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima