Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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8 psl.
... accepting God and the world and the problem of what sort of life such acceptance would entail . Alyosha's uncertainty about whether he " believes in God " is an uncertainty about whether the life he leads and the feelings he has are the ...
... accepting God and the world and the problem of what sort of life such acceptance would entail . Alyosha's uncertainty about whether he " believes in God " is an uncertainty about whether the life he leads and the feelings he has are the ...
173 psl.
... acceptance of annihilating injustice . Admit- tedly , Dostoevsky's language courts misinterpretation . But if freely accepted suffering is the medium in which , like Mitya , we atone for our sins , and if this may entail the accepting ...
... acceptance of annihilating injustice . Admit- tedly , Dostoevsky's language courts misinterpretation . But if freely accepted suffering is the medium in which , like Mitya , we atone for our sins , and if this may entail the accepting ...
187 psl.
... acceptance of the call to give voice to the other , while leaving them time and space to be other ; it is the love of the other in his or her wholeness , that is , including the fact of their relatedness to more than myself ; it is the ...
... acceptance of the call to give voice to the other , while leaving them time and space to be other ; it is the love of the other in his or her wholeness , that is , including the fact of their relatedness to more than myself ; it is the ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima