Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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39 psl.
... accept a world in which atrocities hap- pen is also a refusal to accept the actuality of healing or forgiveness . And while this is in many ways an appropriate aspect of the human response to atrocity — as in the memorial inscription at ...
... accept a world in which atrocities hap- pen is also a refusal to accept the actuality of healing or forgiveness . And while this is in many ways an appropriate aspect of the human response to atrocity — as in the memorial inscription at ...
120 psl.
... accept love ? His sadistic mockery of the prostitute Liza , his hatred and fury toward her because he has let her see something of his vulnerability and his despair of being " good " or loving , and his refusal of the acceptance she ...
... accept love ? His sadistic mockery of the prostitute Liza , his hatred and fury toward her because he has let her see something of his vulnerability and his despair of being " good " or loving , and his refusal of the acceptance she ...
132 psl.
... accept at the outset that no speaker has the last word , and that the position taken up in an initial exchange is going to be tested and shifted and renegoti- ated in the process . It is to accept that at the outset no one possesses the ...
... accept at the outset that no speaker has the last word , and that the position taken up in an initial exchange is going to be tested and shifted and renegoti- ated in the process . It is to accept that at the outset no one possesses the ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima